Monday, October 10, 2016

FDWLD 201: HAMLET

Relate course themes of Redemption, Moral Truths, and a Just Society to Shakespeare's play Hamlet.


Hamlet’s World 

         Readers live in Hamlet’s world, a world of chaos and confusion with philosophies of conflicting values pulling some, like Hamlet, against the edges of madness with unanswered questions. Is God real? Does he guide man? Does life continue after death? Is mortality more than living, dying, and rotting to become part of earth?  Can I know? “What is man… but to sleep and feed?” asks Hamlet with inner turmoil, as he ponders man’s creation and ability to reason (Shakespeare, p.101, 4.4.33-5). Using reason and inspiration given by his maker, Hamlet concludes “There’s a divinity that shapes our ends” (p.130, 5.2.10).  Despite his mother’s cajoling to remember “all that lives must die” and pass “through nature… [in]to dust” (p.12, 1.2.71-3), and the foreshadowing counsel of his step-father uncle regarding the “common theme [in life, that] is death of fathers” (p.13, 1.2.103-4), Hamlet inherently understands that he and all people have within something everlasting. He asks, “What should be the fear… for my soul… being a thing immortal as [the ghost] itself” (p.26, 1.4.64-7)? Though difficult, Hamlet comes to accept and reference the reality of seeing the apparition of his father. Speaking for Shakespeare, to all who read or hear his words (and later for Hamlet as a witness against doubt), the ghost presents that despite every man passing through death, the spirit of man yet rises and lives.
      In the mouths of his characters, multiple times throughout the play Hamlet, Shakespeare witnesses the supremacy of God, and the immortality of souls, as well as the need for souls to seek reconciliation (redemption) with God through repentance, that being a change from wickedness in life—“Till the foul crimes (sins) done in [the] days of nature are burnt and purged away” (Ghost of King Hamlet, p.28, 1.5.12-13). After King Hamlet’s death, as Prince Hamlet mourns the “weary, stale, flat, and unprofitable…world” (p.14, 1.2.133-4) of life without his father, he also affirms the existence of God as he resists a suicidal urge: “O that… the Everlasting had not fixed His canon (law) ‘gainst self-slaughter” (p.14, 1.2.131-2). Through Prince Hamlet’s interactions with his father’s ghost, the existence of souls after death and their ability to escape the “sepulcher” (p.26, 1.4. 48) for ongoing existence (whether in happiness or misery unknown) is affirmed, even though the fate of all to return to earth is rehearsed as ‘common.’ Hamlet eulogizes the similarity of beggars with even the greatest men, as maggots transform them by the cycles of nature whereby “A man may fish with the worm that hath eat of a king, and eat of the fish that hath fed of that worm… [showing] how a king may go a progress through the guts of a beggar” (p.98, 4.3.27-31), or
Imperious Caesar, dead and turned to clay,
Might stop a hole to keep the wind away.
Oh, that that earth, which kept the world in awe,
Should patch a wall t' expel the winter’s flaw! (p.126, 5.1.215-19) 
         Ophelia’s loss of reason during grief belies the moral truths she speaks about chastity and virtue as valuable for men and women (p.21, 1.3.45-51; p.104, 4.5.52-66), and the veracity of her witness that “we know what we are, but know not what we may be” (p.104, 4.5.43-4). Faced with Ophelia’s demise, and many declaring dust is the only and final end, Hamlet’s reason wavers (depicting the doubt any reasoning person may face). Pondering such future possibilities in the well known soliloquy “To be, or not to be” (p.63, 3.1.56) Prince Hamlet eventually reiterates that the unknown qualities of life after death are the “undiscovered country” encouraging all to “rather bear with those ills we have, than fly to others we know not of” (p.64, 3.1.79, 81-2). Although all truth isn’t known, each person has some light and must make choices based on the truth possessed.
             The understandings that all life is precious, and raw murder unacceptable, prevail as the body count reaches for the new understanding that every death is a sorrow, and noticed to God. Hamlet alludes to this truth when he tells Horatio, “We defy augury [the omen’s of the future]. There’s a special providence in the fall of a sparrow” (p.137, 5.2.220-1), specifically referencing Matthew 10:29, “Are not two sparrows sold for a farthing? and one of them shall not fall on the ground without your Father” (p.137). In context, the Biblical passage counsels all caught in the confusion of mortal sophistries to “fear not them which kill the body, but are not able to kill the soul: but rather fear him which is able to destroy both soul and body in hell… [T]he very hairs of your head are all numbered. Fear ye not therefore, ye are of more value than many sparrows” (King James, Matthew 10:28-32). Although Hamlet’s life is set in a time when it was popular to discount the reality of God or eternal existence, Shakespeare weaves into his drama the sorrow, fear, and doubt such beliefs cause, while still depicting the pervasive truth extant throughout the culture of English literature, particularly the fact that life continues beyond the grave. The same questions even now, in the time of internet-information-overload remain urgently unanswered for some, with similar confusion. Each mortal must, as Hamlet, reconcile their questions with the truth available, and seek answers for self.   



Works Cited
The Bible. Authorized King James Version, The Church of Jesus Christ of Latter-day Saints, 2013, https://www.lds.org/scriptures/nt/matt/10?lang=eng

Shakespeare, William, and Sylvan Barnet. Four Great Tragedies: Hamlet, Othello, King Lear, Macbeth. New York, NY, Signet, 1982.

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